Find your voice – David Sanger

February 16th, 2010 by

David Sanger-Travel (and more) photographer

It is too limiting a characterization to call David Sanger simply a travel photographer. Yes, he travels a great deal and the majority of his photos fall into that genre. Even though travel photography can be one of the most conservative genres within stock, his work often displays unique points of view and his ideas about the future are positive and innovative. Even in a brief conversation with David, it is clear that his creativity isn’t limited to photography. He expresses wide-ranging and imaginative ideas in response to questions about the changing stock photo marketplace, copyright issues and the future of the business.

He has said, “Old markets are drying up but new opportunities are emerging, communicating with communities of consumers, photo aficionados, travel readers, citizens. The economics are completely different, but the possibilities tremendous. The key is providing something of value”.

David recognizes that stock photography ‘doesn’t say anything’ in the same way that photojournalism or editorial photos do. He speaks of disintermediation (elimination of the stock distribution company) as a road to more personal communication between photographers and the audience for the work:

“When images are distributed via middlemen, it is usually someone else’s message that is communicated. Disintermediation opens up the possibility, the responsibility, for a more personal communication. The focus then shifts to the personality, trustworthiness, authority, point of view and voice of the photographer, whether fine artist or journalist. …Those who are successful will be those who are the most compelling, engaging or insightful.”

Statue of Maitreya Buddha, Bingling si Grottoes, Gansu Province, China/©David Sanger

Surprisingly, Sanger hasn’t found that eliminating the middleman from his own licensing model to be as successful as he first expected three or four years ago. In addition to his primary outlet at Getty Images, he licenses his images direct to buyers using the PhotoShelter platform. For now, though, Sanger suggests that the major buyers of rights managed still rely mainly on account people at the large stock agencies to provide images to them. Of course, buyers come directly to David Sanger because they like to work with him … and they do … or for unique destinations and images.

He has used the experience gained from direct licensing and his past life in corporate computer systems to analyze user behavior on his personal stock site. He found over 10,000 (mainly blogger) domains linking to his photos. These users weren’t likely to pay for Sanger’s rights managed images. In light of the fact that copyright is not reasonably enforceable against a blogger, Sanger takes the high road, “It is not how to stop them but how to turn them into revenue paying customers.  There is a huge appetite for images. Providing people with what they want has to be a good thing … but we have to find how to monetize it.”

The Internet of people, social media, is a natural outlet for images. The sheer energy of Flickr conversations, the abundance of images that decorate MySpace and Tumblr pages, reveal people’s fascination with and devotion to images. Rather than fight the people who are interested in their images, photographers would do well to embrace them, engage them and discover how to transform that interest into viable economic support.”

Tajik shepherd and sheep by lakeside in Pamirs, China/©David Sanger

While the industry attempts to solve the revenue conundrum, David, is bullish about photographers creating value by ‘saying something.’ “Stock photography itself doesn’t really say anything on its own. We provide images to serve someone else’s message. No one is interested in my message [when I’m shooting stock].” Sanger suggests that photographers enter the creative conversation on a more personal level. “Find your voice,” is his closing advice.

A secret to David Sanger's travel photography is that he watches for the unexpected like this photo of woman off stage in variety show during Octoberfest in Munich/©David Sanger

About David Sanger: Sanger has traveled to over 100 countries. In addition to the travel work he shoots for corporate, shipping and non-profit clients including Bank of America, Exxon, the National Park Service, Clorox and Interorient. He is a member of the Board of Directors of the Stock Artists Alliance and a former president of the organization. “I’m fascinated by technology, web design, data, communications and social media, especially how these offer photographers’ new opportunities for expression and for business”.

More about David and some of the best advice I’ve seen for travel photographers can be found at Photomedia Online.

David’s blog and website are at www.davidsanger.com

8 Comments

  • Ed Smith says:

    Cutting edge information. Many thanks! Great photos too. Ed

  • Social comments and analytics for this post…

    This post was mentioned on Twitter by ellenboughn: New post. Interview with travel photog David Sanger http://bit.ly/cqopWd #togs…

  • Mark Harmel says:

    David is one of the smartest photographers I know and is on top of the new technology. If anyone can figure out this new photo market it will be David.

  • Thoughtful insight from a great shooter. As soon as he finds a way to monetize image piracy I’d like to know about it.

  • How to monetize unauthorized uses – the $10,000 question. I’m eager to hear what he comes up with.

    Also, I’m all for “power to the people,” but disintermediating stock agencies makes sense only if you’re able to attract a significant amount of paying visitors to your website… not a trivial task. I’d be interested in learning more about David’s strategies to drive direct, paying traffic to his site.

    • Ellen Boughn says:

      David acknowledges that most large RM buyers rely on stock agencies to source stock photos. And that personal marketing can’t win against theirs. (He may comment here too, Shalom.) But stay tuned to my posts as this one thread in the story I’m chasing. No one has the answers to surviving in our changed industry but I believe that collectively our best minds are going to come up with a vision for the future of stock photography. It may mean a severe contraction and a Darwinian exodus of the weaker in skills and heart.

  • Thank you so much for a great article and loved all tips and insights from David. I also liked your statement that collectively our best minds will solve the problem. Well said.

  • David Sanger says:

    Thanks Ellen and everyone.

    Shalom, my point about disintermediation was not that the best way forward is to immediately get up and leave stock agencies and publishers, and set off alone but that the inevitable trend is their significance and power will diminish as more and more direct connectons are made networking, peer to peer and with consumers.

    The same trend is occurring in journalism . Over time I see the role of middlemen, like stock agencies, book publishers etc. declining. That doesn’t mean that the big stock agencies aren’t still the best game in town. But not by so much and not for much longer.

    As for monetizing the crowd interest I see Chase Jarvis, David DuChemin, Trey Ratcliff, Jack Hollingsworth all moving in this direction. And the key is to provide something of value that makes a difference in people’s lives.

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