For the last 40 years, the majority of stock photographers were in the middle : middle income/middling talent. Most stock photos could be categorized as predictable but very salable in rights managed and royalty free markets. Enter microstock and a new class was created from the millions of camera owners across the world. Demand for average photos of predictable subjects licensed from traditional rights managed and royalty free distributors tanked.
Stock photographers began wringing their hands and demanding that users PAY MORE! They were rightfully ignored and began to disappear as their incomes declined.
How can you navigate around the large black hole into which hundreds of stock photographers are falling, never to be seen again?
You can take the high road or the low. Depending on your work, I suggest traveling both.
Stellar work will always find a home. It will fulfill the following requirements. It will be:
- Unique to you
- Expensive to license
- Fresh and unusual
- The best of its kind
- Limited sources for the work either in style or subject
These images won’t license often. There are currently two major places to distribute in the monetized world of stock photography: Getty/Corbis. You may find that if the subject is very unique and/or you have an unusual point of view or access, you will find more buyers by licensing the work directly from your own site. Tools to help: license stream or PhotoShelter and Agency Access. Cautionary note: look to the world of Hollywood to get an idea of moving into this neighborhood: only a tiny percent of actors living in NYC or LA make more than $12,000 a year at their craft
The low road is more like the highway to the stars. It paves the pocketbook to pay for the stellar stuff. To carry the metaphor to it’s death: think of the revenue from this class of images as pennies from heaven. This work:
- Is generic in subject
- Inexpensive to license
- Fresh
- Best of its kind…the best damn handshake photo out there or close
- Widely distributed by as many microstock companies you can tolerate…see lookstat and isyndica for help
- Not exclusive unless you are one of the top top earners at istock.
More on my ideas on microstock from a November presentation at UGCX:
The Business of Microstock The presentation concludes with some terrific photos from creative commons.
Old timer and Comstock (sold to Jupiter/Getty) founder with Tom Grill, Henry Scanlon once quoted his grandfather’s advice for a successful business career: “Serve the masses; dine with the classes. Serve the classes; dine with the masses.” (Also attributed to Ray Kroc the founder of McDonalds. Joan Rivers and someone in Imperial Russia.)




[...] Ellen Boughn has a great post on her blog about where in the stock photography landscape (the high end or the low end) you should operate. I [...]
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Excellent summary of the current ’state of play’ Ellen. The ‘low road’ is obviously easier to travel but it is getting harder, especially for new ‘travellers’ to achieve worthwhile returns from it as standards rise. I agree a blend of both approaches is a good plan for most stock shooters.
Neat analysis, Ellen.
Also a great presentation at http://www.slideshare.net/photomavin/the-business-of-microstockellen-boughn
really recommended to all your readers.
Cheers,
roberto
[...] Ellen Boughn – Where do you fit in Phototown? [...]
Great post!
As well as Lookstat and Isyndica, check out http://www.picniche.com (and the associated toolbars and keywording tools). Very useful.
[...] Ellen Boughn – Where do you fit in Phototown? [...]
You certainly deserve a round of applause for your post and more specifically, your blog in general. Very high quality material
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